The Ghost of Our Almost (#1)
April 1913
The light faded slowly tonight. Not abruptly, but in that soft, deliberate way it does in early spring. The kind of light that makes everything look older. I found myself lighting the lamp before I meant to, then forgetting why I’d done it.
I was brushing my hair when I thought of you.
Not the kind of thought one chases, the kind that arrives, fully formed, without permission.
You.., the man I never claimed.
The one I could never call mine.
The one I almost let ruin me.
There are names I say aloud and names I carry in silence. Yours has always been the latter. Tucked behind ribbons. Folded into half-dreamed conversations. Left unwritten in every letter I never dared to send.
We were never really lovers. Never publicly scandalous. We existed in the elegant margins of the acceptable. A shared glance, a hand offered just a second too late to be necessity. And yet somehow, you linger more than those I loved openly.
I remember you in pieces:
The way you tilted your head when I said something sharp.
The quiet patience with which you let my charm unravel.
How you never reached for me, but never looked away.
It wasn’t love. Not in the way people mean.
It was hunger pressed into lace.
It was a future imagined too vividly to ever survive the present.
There is a memory I never speak of, not even to myself, unless the room is very quiet: the night we stood in the corridor outside the drawing room, both of us pretending not to notice how close we'd become to doing something irrevocable. You reached for the door, not for me. And I wanted to thank you. And I wanted to scream.
You loved me at a time when I needed to be chosen.
And I.., I loved you like a secret. Beautiful. Heavy. Unclaimed.
I am someone’s wife. A man of manners, of means. A man who has never once read the expression on my face and asked what I wasn’t saying. He does not haunt me. But you do. Even now.
Not like a wound.
Like an unfinished sentence.
You were never mine.
But I remember how close you came to being.
—L.B.
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We chased lightnin’ bugs barefoot with jars in our hands. Not to keep them, just to hold the magic long enough to remember. That hour between dusk and dark still feels magical.
When no one needs me, I remember there is still a woman here. One who hums, notices, creates. And in the silence, she has something to say.
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The Violet Letters Continue…
At Lady Elowen’s autumn lantern gathering, Lady Bergamot is drawn into a pairing with Yates Everett — and into a confrontation she has long avoided. Beneath flickering lights and half-truths, two hearts wrestle with the weight of what cannot be said.
In this tender epistle set in early September 1912, Lady Bergamot reflects on her lifeless marriage and the quiet, haunting presence of Yates Everett. Through a visit from Lady Ameline and memories that won't fade, she confronts what remains unnamed — and undeniable.
"Not all music is meant to be danced to," I told him.
"Some is meant only to be endured."
We did not touch. But the heat between us said everything. And I wonder — how long can one pretend not to burn?
"I wake each day knowing he will never be mine, and yet every breath I take is shaped by the thought of him."
The note was passed hand to hand like fiction. No one guessed the truth. Except him. And he looked at me, like it was not a secret, but a vow.
In the heat of a summer evening, Lady Bergamot asks her husband to dance. When he refuses, another man watches. What follows is not a love story, but the ache of almost.
“Because the truth was, I had never been sure if he was ever mine to long for. Only that I had once stood close enough to the fire to feel its heat.”
Late July, 1912. In the tranquil solitude of the conservatory, Lady Bergamot and Yates Everett find themselves on the precipice of something unspoken. Yates admits a longing neither of them can act on, forcing Lady Bergamot to confront emotions she’s tried to suppress. The weight of his confession hangs in the air, leaving her with an ache that refuses to be ignored. Will they be able to keep their desires at bay, or is everything about to change?
At a summer gathering, Lady Bergamot hears a widow’s confession—and wonders how long a quiet affection can hide before someone sees its glow.
At a society wedding, Lady Bergamot is quietly unraveled by a question she wasn’t expecting. Yates Everett risks just enough to make it unforgettable.
Lady Bergamot pulls away from Yates Everett, trying to forget the violet, the book, and how it felt to be truly seen. But ache has its own memory.
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He called me a useful little thing. The laughter was polite. The wound was private. And he saw it. He didn’t laugh. He didn’t speak. He only watched.
We spoke only once—but it carried more weight than any confession. A luncheon, a glance, a silence that said far too much. I felt undone in yellow gloves.
We spoke of nothing. But the rain knew. A shared pause at the garden gate, and the storm that followed — not in the sky, but within.
We barely spoke. But I remember everything. A journal entry of glances, almosts, and the gentle ache of wanting something not meant to be touched.
A quiet, romantic letter to a love that never became. A poetic reflection on timing, silence, and the ache of what could have been.
I was in fourth grade when I found A Series of Unfortunate Events. I talked about them on AIM with my best friend, devoured each new hardcover, and felt like someone finally trusted me with something strange and brilliant.